
Bio
Igor Skabelin is a post-documentary photographer from Russia, based in Moscow. His works, based on a synthesis of documentary photography and conceptual art, explore freedom as a broad, multifaceted concept that reflects the clash between personal aspirations and socio-political as well as technological constraints. He studied at the Docdocdoc School of Contemporary Photography from 2021 to 2024 and has been continuing his education at the Joseph Backstein Institute of Contemporary Art since 2024. His projects are published in the media and receive recognition at competitions.
Artist Statement
Freedom is one of the core values of humanity, but in the modern world it has become increasingly fragile and contingent. My work explores how individual freedom is confronted with external constraints: political, social, technological. I view freedom not as an abstract concept, but as a dynamic state that is constantly being redefined by power, control, and collective memory. As reality becomes increasingly fragmented and the boundaries between the private and the public blur, I ask myself: what does it mean to be free today? And how do we, as a society, balance security and autonomy?
I started my professional career as a photojournalist, shooting reports and being published in the news media. Faced with changing reality and restricted freedoms, I was forced to shift my focus to contemporary art. My artistic method is based on a synthesis of documentary photography and conceptual art. With a background in photojournalism, I retain a commitment to documentary accuracy, but now use it to create visual narratives that go beyond documentary. My projects often contain elements of contradiction and contrast, allowing me to illustrate the complex relationship between freedom and constraint. I focus on everyday objects, places and situations that at first glance appear neutral, but upon closer inspection reveal deep social and political tensions. Through my works, I invite the viewer to not only see but also feel how freedom becomes a subject of negotiation, compromise and loss.
In the project “Remember!” I explore how the memory of the past shapes our perception of the present. Through the contrast between the monumentality of monuments and the ordinariness of residential neighborhoods, I show how history invades our everyday life, shaping our understanding of freedom and its limits.
The work “I have nothing to hide” explores how surveillance technologies change our perception of freedom: we voluntarily give up privacy to feel protected, but in doing so we lose some of our autonomy. I ask the question: how much of our freedom are we willing to sacrifice for the illusion of safety?
In my “Abuse of power” series, I address the topic of law enforcement violence by using objects that surround us in our everyday lives. These everyday objects take on a new meaning in my works, becoming symbols of the loss of freedom and injustice. By reinterpreting them, I show how ordinary things can become instruments of repression when they fall into the hands of those who abuse power.
CV
Education
2024-2026 Joseph Backstein Institute of Contemporary Art. “New Artistic Strategies” educational program
2021-2024 Docdocdoc School of Contemporary Photography. “Documentary Photography and Photojournalism”, “Post-Documentary Photography” and “Experiments of contemporary photography” courses
2021 Moscow Rodchenko School of Photography and Multimedia. Course “About Light”
2020 LEVEL ONE. Workshop “100 years of photography”
Awards
2024 Winner of Pictures of the Year Asia 2024 (POY Asia) in the Issue Reporting Picture Story
2021 Finalist of the Mediaburger-2021 contest in the Photo Report category
Publications
2024 LensCulture — Emerging Talent Awards 2024 Competition Gallery
2024 Skillbox
2023-2024 TASS
2022 Greenpeace
2021-2022 Avtozak Live
2021 Project media
2021 MBK Media